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<blockquote data-quote="Melange Reflections" data-source="post: 95063" data-attributes="member: 4894"><p><span style="font-size: 10px">Home</span></p><p></p><p><img src="http://i315.photobucket.com/albums/ll467/Melange00/yann-arthus-bertrand-home-movie-pos.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /></p><p></p><p><span style="font-size: 10px">Yann Arthus-Bertrand directed this visually astonishing portrait of the Earth as seen from mesmerizing aerial views. Home is not the first documentary to survey our planet from the air, but Arthus-Bertrand brilliantly and dreamily captures the miraculous linkage within delicate eco-systems. For viewers whose eyes glaze over at descriptions of the way Earth recycles energy and matter, Home underscores the beautiful and awesome reality of that complex process. Narrated by actress Glenn Close (in this English-language version), Home begins by exploring and clarifying the natural history of water, sunlight, and the role simple life-forms such as algae played (and still play) in making the planet hospitable to more evolved, living things. As the film moves along, it also has a way of rebooting one's lazy assumptions about familiar phenomena. The Grand Canyon, for example, might be a fantastic sight to behold, but it's also a collection of billions and billions of shells compressed under Earth's oceans long ago. The carbon trapped in the Grand Canyon was drained from the atmosphere, helping--once again--oxygen-dependent life to develop.</span></p><p><span style="font-size: 10px"></span></p><p><span style="font-size: 10px">Similarly, plant life, Home tells us, broke up the water molecule and released oxygen into the atmosphere. Everything is linked, everything is part of a grand machine--the film makes this clear in scores of ways, and not just by telling us. Arthus-Bertrand reveals the intricate, breathtaking designs and patterns of glaciers feeding rivers, of animals feeding on plant life so more plant life can grow, of Australia's great Coral Reef's role in keeping the ocean in eco-balance. Of course, a big part of the story is the impact short-sighted humans have on these systems. There is much to be alarmed at watching Home, but there is much to move one as well.</span></p><p></p><p><span style="font-size: 10px">Antarctica</span></p><p></p><p><img src="http://i315.photobucket.com/albums/ll467/Melange00/nankyokumonogataribx5.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /><img src="http://i315.photobucket.com/albums/ll467/Melange00/pcbc50118bl2.jpg" alt="" class="fr-fic fr-dii fr-draggable " style="" /></p><p></p><p>The protagonists in Antarctica are Taro and Jiro, two dogs that are part of a team of fifteen huskies used on a Japanese Antarctica expedition in 1958. Their masters during the mission are Ushioda and Ochi, two scientists. The sled dogs become invaluable friends to the men, who are sad to leave when a second exploration party arrives by ship. </p><p></p><p>Because of a terrible blizzard, Ushioda and Ochi are evacuated. The dogs are left behind to await the new group. That expedition, however, is canceled. Taro and Jiro, chained to posts in the ice, manage to pull themselves free: seven other huskies are not so lucky. The dogs struggle to find food in the frozen wastes. </p><p></p><p>Back in Japan, Ushioda and Ochi cannot assuage the guilt they feel for abandoning the dogs. When another expedition is formed, they sign up. Expecting to bury the corpses of their frozen friends, they find instead that Taro and Jiro have survived an entire year on their own. </p><p></p><p>Antarctica is a fascinating film on several levels. First, it pays tribute to the survival instincts of these two dogs. The account of their handlers points out the deep bonds that can exist between animals and humans. And the film, based on fact, gives an interesting visual portrait of Antarctica's unusual environment. Akira Shiizuka's eye-inveigling cinematography and the music by Vangelis add special luster to this Japanese movie.</p></blockquote><p></p>
[QUOTE="Melange Reflections, post: 95063, member: 4894"] [SIZE="2"]Home[/SIZE] [IMG]http://i315.photobucket.com/albums/ll467/Melange00/yann-arthus-bertrand-home-movie-pos.jpg[/IMG] [SIZE="2"]Yann Arthus-Bertrand directed this visually astonishing portrait of the Earth as seen from mesmerizing aerial views. Home is not the first documentary to survey our planet from the air, but Arthus-Bertrand brilliantly and dreamily captures the miraculous linkage within delicate eco-systems. For viewers whose eyes glaze over at descriptions of the way Earth recycles energy and matter, Home underscores the beautiful and awesome reality of that complex process. Narrated by actress Glenn Close (in this English-language version), Home begins by exploring and clarifying the natural history of water, sunlight, and the role simple life-forms such as algae played (and still play) in making the planet hospitable to more evolved, living things. As the film moves along, it also has a way of rebooting one's lazy assumptions about familiar phenomena. The Grand Canyon, for example, might be a fantastic sight to behold, but it's also a collection of billions and billions of shells compressed under Earth's oceans long ago. The carbon trapped in the Grand Canyon was drained from the atmosphere, helping--once again--oxygen-dependent life to develop. Similarly, plant life, Home tells us, broke up the water molecule and released oxygen into the atmosphere. Everything is linked, everything is part of a grand machine--the film makes this clear in scores of ways, and not just by telling us. Arthus-Bertrand reveals the intricate, breathtaking designs and patterns of glaciers feeding rivers, of animals feeding on plant life so more plant life can grow, of Australia's great Coral Reef's role in keeping the ocean in eco-balance. Of course, a big part of the story is the impact short-sighted humans have on these systems. There is much to be alarmed at watching Home, but there is much to move one as well.[/SIZE] [SIZE="2"]Antarctica[/SIZE] [IMG]http://i315.photobucket.com/albums/ll467/Melange00/nankyokumonogataribx5.jpg[/IMG][IMG]http://i315.photobucket.com/albums/ll467/Melange00/pcbc50118bl2.jpg[/IMG] The protagonists in Antarctica are Taro and Jiro, two dogs that are part of a team of fifteen huskies used on a Japanese Antarctica expedition in 1958. Their masters during the mission are Ushioda and Ochi, two scientists. The sled dogs become invaluable friends to the men, who are sad to leave when a second exploration party arrives by ship. Because of a terrible blizzard, Ushioda and Ochi are evacuated. The dogs are left behind to await the new group. That expedition, however, is canceled. Taro and Jiro, chained to posts in the ice, manage to pull themselves free: seven other huskies are not so lucky. The dogs struggle to find food in the frozen wastes. Back in Japan, Ushioda and Ochi cannot assuage the guilt they feel for abandoning the dogs. When another expedition is formed, they sign up. Expecting to bury the corpses of their frozen friends, they find instead that Taro and Jiro have survived an entire year on their own. Antarctica is a fascinating film on several levels. First, it pays tribute to the survival instincts of these two dogs. The account of their handlers points out the deep bonds that can exist between animals and humans. And the film, based on fact, gives an interesting visual portrait of Antarctica's unusual environment. Akira Shiizuka's eye-inveigling cinematography and the music by Vangelis add special luster to this Japanese movie. [/QUOTE]
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